Category Archives: Solo Piano

Peaceful piano playlists

If you enjoy peaceful piano music you will have plenty of choice on his list.

These are all of the playlists that featured my recent single ‘Sway’

Huge thanks to all of the curators below for their support.

Do check out some of these links to read about and hear more beautiful music.

 Cosmicleaf (Aug 19, 2021)Spotify Spotify 

Music Dances When You Sleep (Aug 17, 2021)Spotify musicdanceswhenyousleep.com 

Last Day Deaf (Aug 13, 2021)lastdaydeaf.com 

Ear To The Ground Music (Aug 11, 2021)eartothegroundmusic.co 

Arial (Aug 11, 2021)A shout-ou tSpotify 

Alternative Alpaca (Aug 09, 2021)A shout-out Spotify 

Boy In The Rain (Aug 09, 2021) Spotify 

Raighes Factory (Aug 09, 2021)A shout-out Spotify Twitter art.blog Facebook pinterest.it raighes.com raighes.com 

Sleepy Songs (Aug 09, 2021)sleepysongs.se 

Ocean Eyes (Aug 08, 2021)A shout-ou tSpotify 

Visioner (Aug 08, 2021)Spotify 

Big Sun Records (Aug 08, 2021) A shout-out Spotify Instagram 

pedals & keys (Aug 08, 2021)Spotify 

Caoba Records (Aug 08, 2021) A shout-outSpotify 

Invadable Harmony (Aug 08, 2021) Spotify 

Kaan Gölgesiz (Aug 07, 2021) Spotify 

Sinusoidal Music (Aug 07, 2021) A shout-outSpotify 

Christina Korotaeva (Aug 07, 2021) A shout-outSpotify 

andreipoll (Aug 07, 2021) Spotify 

Robster (Aug 07, 2021) A shout-outSpotify 

Ambient Soundscapes (Aug 07, 2021) A shout-outSpotify 

Ivanova (Aug 07, 2021)Spotify 

Claire de Lune (Aug 07, 2021)Spotify 

Shona Oliver (Aug 06, 2021)A shout-out Spotify 

Adrien de la Salle (Aug 06, 2021) Spotify Spotify 

Yoga Beats Playlists (Aug 06, 2021)A shout-out Spotify 

Applefish (aka Nik Davies) (Aug 06, 2021) Spotify 

riccardopietri (Aug 06, 2021) Spotify 

Awake (Aug 06, 2021) Spotify 

Cubit Recordings (Aug 06, 2021) A shout-outSpotify 

ArtıEksi Müzik (Aug 06, 2021) Spotify

New single ‘Sway’ out now

The new music releases are coming thick and fast at the moment. This is the second single I am releasing in partnership with record label Frtyfve and its called ‘Sway’

The track is out now on all the major digital services and its a composition that I am particularly pleased with. Its already been described by one Spotify playlist curator as “A mysterious, gently undulating, playful solo piano piece with a beautiful melody. Listen out for subtle harmonic shifts between major and minor and a gorgeous lift at 1.42”

Check it out for yourself at https://songwhip.com/steveluck/sway

I hope you enjoy it. Do get in touch to let me know what you think.

The artwork by the way is by the ever fabulous Colin Hagan of Northern Design.

New single ‘Oscillation’ to be released on 12th March 2021

Oscillation is defined as a movement back and forth in a regular rhythm. It also refers to a fluctuation between beliefs, opinions and conditions. Emerging from lockdown, this piece reflects the sense of uncertainty, felt during the Covid 19 pandemic. It has a simple poignancy and amongst the intimate and meditative melancholia, you can detect a little bit of hope.

The track is set for release on 12th March on all good digital streaming services and stores. Artwork is by Colin Hagan of Northern Design. Check out his other work at www.colinhagan.co.uk

Watch a sneak peak of the music video for the track here

‘Tesoro’ set for release on Friday 11th September 2020

I’m delighted to be releasing a new single this coming Friday – its called ‘Tesoro’ and will be available to stream and/or buy on all the usual digital platforms.

Listen to it on your favourite music service here https://smarturl.it/5sbule

Spotify users please do follow me to get a reminder that the track is out https://open.spotify.com/artist/6bXZK7BisCDBBGp7D0d54i?si=sp6i1QFNSGSYy_WkA5OacA

Here’s a little taster video so you can see if its your sort of thing!

Here’s the blurb from the press release for it.

Pianist and composer Steve Luck is delighted to announce the release of his latest single ‘Tesoro’ – due out on 11th September on all digital platforms. The track is an intimate, beautiful, and atmospheric piano miniature, recorded on a felted upright piano in August 2020. ‘Tesoro’ means treasure in Italian. This tender and soothing contemporary classical composition was inspired by images of a newborn baby. The piece will receive its live premiere the day after its release, on the evening of Saturday 12th September 2020, as part of the Great Northern Piano Session V concert at the Gosforth Civic Theatre. Perfect for the peaceful piano playlists, this piece looks set to charm and move listeners with its delicate simplicity.

Steve said “I was delighted with the recording of this very personal and intimate track. As a composition it has a simple structure, but I was very pleased with the atmosphere I captured on the recording – using the felt on my upright piano to bring to life the soft and delicate mood I was trying to create. I was put into this peaceful, and gentle frame of mind when at the keyboard by looking at images of my cousin and his partners brand new baby girl Ellie. I would definitely say that the track was inspired by her and has since been dedicated to her – it’s for Ellie Brown“

Out on Spotify , Apple Music and all good digital platforms on Friday 11th September 2020.

Praise for Steel Bridge

Huge thanks to all who have watched, liked and commented on the video for ‘Steel Bridge’.

Almost 10K views and 125 shares on Facebook is amazing.

The comments have been lovely to receive – especially peoples stories about relatives who helped build the Tyne Bridge back in the 1920’s

Here’s a small selection.

“Exquisite”

“Wonderfully evocative piece”

“Brought a lump to my throat watching and listening to that fantastic thank you”

“Well, I can hear driving hammers, different layers of work going on all at the same time and even talking between the workmen. Now added to that is an overarching layer of solemnity, befitting of the creation of such an awe inspiring example of engineering. Great stuff.”

“Such beautiful music, to me, it honours a place where my Mam (Mary Wilson from Wallsend) and Dad (at the time sailor from Flanders, Belgium) met about 60 year ago. Moving and emotional and complementing a landmark that is so dear to me and many many others, thank you for sharing your amazing talent.”

“Loved watching this. My dad was a riveter & a bit of a steeplejack & he worked on the bridge. I didn’t inherit his head for heights I’m afraid, but I’m very proud of him. Thank you.”

“Brilliantly composed piece! It’s was like the bridge was playing the instruments it’s self with the violin looking wires bringing the bridge together! Beautiful video too”

“My grandfather and his brother worked on the bridge. Great to see this film”

“Beautiful music, goes wonderfully well with building of our bridge. What brave men”

“My Granda Jimmy Ransom as young boy worked on the bridge start to finish, he was deaf in later life he put it down to his eardrums bleeding when working on the foundations due to the compressed air used in the coffer dams to hold back the Tyne whilst work was carried out, he progressed to been a catcher of the hot rivets, he also told me a story of a big wig as he put it visited the site and asked how many rivets they did in a day, the number 250 sticks in my mind but I could be wrong anyway this big wig offered the riveting squad a halfpenny for every rivet they did over they daily amount they management had to cancel the deal after a week as the squad started early and stayed late every day and earned a tenner each in that weeks wages. He also told me he was first over the bridge as when the last section of the first arch was in place he walked over to shake hands with guys on the other side”

“I could swear I could hear the hammering of rivets. Great music and amazing photographs. “

If you are on facebook you an watch the video here https://www.facebook.com/steveluckmusic/videos/523057515152978/


I would love to know what you think. Leave a comment below.
Steve

‘Steel Bridge’ single out now

My new single ‘Steel Bridge’ is out today – the 18th October 2019. The track is intended to pay tribute to the workers who designed and built the Tyne Bridge more than ninety years ago.

The bridge has been an important landmark for me throughout my life. From visits to the quayside Sunday market as a kid more than forty years ago, through to taking part in the Great North Run half marathon last year and running over the bridge just as the Red Arrows flew in formation overhead. The structure connects people in more ways than one. The imposing, impressive single span, towers over the river, physically connecting Newcastle and Gateshead. Its also an iconic symbol of the north east. Every time I have been away from home, the sight of the green arch makes me feel proud to be a Geordie – which is another kind of connection and there is also something about landmarks like this that connect us with the past.
The bridge was built between 1925 and 1928 and is a marvel of both architecture and engineering skill. It was the largest single span bridge in the UK and was built using shipbuilding techniques and uses more than 7000 tons of steel and it has more than three quarters of a million rivets.”
Steve says “The piece ‘Steel Bridge’ was inspired by the urban rhythms of old industry. It is a moody, atmospheric and ultimately uplifting reflection on, and tribute to the workers who fearlessly and skilfully brought this immense feat of engineering to life. It is scored in a cinematic minimalist style featuring live piano, string quartet and electronics. Its also a reflection on the change that Tyneside has gone through with the move away from old industry and towards a more mixed economy.”

Listen here or click through to buy the track.

Watch the music video here

competition time

Follow me on Spotify to be in with a chance to win two tickets to my next solo piano performance which is on Friday 16th August (7.15pm) underground, in the dark, inside the Victoria Tunnel. The draw will take place on Monday 10th August 2019. If you don’t have a Spotify account leave your email address instead.

recording set up underway

This is the 1905 Bechstein in my studio being put to work over the next few days. I am setting up for four mics. Firstly a Rode stereo pair placed inside the lid, close up to the strings for a detailed, clear and pure sound. And secondly two condenser mics in omni mode, a little way out from the instrument but in the firing line of the reflected sound from the lid, which on a grand piano acts in the same way as a speaker – projecting the sound out to the front. The second pair should capture a more rounded ‘room’ sound.

When I mix and master I will listen to the recordings from both sets of microphones and maybe blend the two together with a little reverb and eq.

I also have some stands set up for cameras to record video and stills from the sessions.

The piano tuner is coming in tomorrow and recording will begin in earnest shortly after. For now there is just a bit more practice to be done.

Hopefully you will be able to hear (and see) the results of this process soon.

crescent moon single to be released

A composition I put together about a year ago will be re-recorded and released as a single on Spotify,Apple Music, Deezer and all good online streaming and download services towards the end of June 2019.

‘Crescent Moon’ was inspired by the first movement of the Beethoven’s Piano Sonata No. 14 in C♯ minor “Quasi una fantasia”, Op. 27, No. 2 – popularly known as the Moonlight Sonata.

It is one of the most popular piano pieces of all time and I always thought that it had a very special quality about it. I was inspired to use it as a jumping off point to create something new.

According to Wikipedia “the name “Moonlight Sonata” comes from remarks made by the German music critic and poet Ludwig Rellstab. In 1832, five years after Beethoven’s death, Rellstab likened the effect of the first movement to that of moonlight shining upon Lake Lucerne. Within ten years, the name “Moonlight Sonata” (“Mondscheinsonate” in German) was being used in German and English publications. Later in the nineteenth century, the sonata was universally known by that name. Many critics have objected to the subjective, romantic nature of the title “Moonlight”, which has at times been called “a misleading approach to a movement with almost the character of a funeral march” and “absurd”. Other critics have approved of the sobriquet, finding it evocative or in line with their own interpretation of the work.”

My version is kind of a rework/remix/tribute/re-imagining of the original.

Eric Morecambe would have probably said that its “…all the same notes…not necessarily in the same order.”

If you would like to be one of the first to hear it on release visit my spotify artist page here and click ‘follow’

Spotify will let you know once the track is released and you can listen to it immediately. I would love to hear what you think about it- do let me know.